he Introduction of Exhibition (Direct Quotation from Artists) 


迷‧涂 

生于一个垮掉的时代，抱以对理性生活的怀疑态度，对社会有强烈控诉难以释怀，

涂鸦这种在公众场所 表达自我的创作模式自誕生后便如鱼得水在世界各地爆发。 

后现代主义的两位八十后实验性涂鸦创作人YYY及NAN善於利用癫覆传统的抽象

涂鸦手法诠译其独有的 世界观。他们的艺术概念打破了常规思维框架，综合了当

代艺术领域各种不同的形式种类，有别于一般 从观念到形式上传统涂鸦的唯自我

存在表达倾向，表现的是一些多元化的创作途径以及新颖的思维体系， 探索发掘

涂鸦艺术更深层价值。 

作品以柔软多变的延伸性线条构成，透过喷漆的特性，展示出大胆自由和不受约束

的画面张力，同时含 蓄地把强烈的心理暗示浅藏在画布的背后，描画著飘泊虚无的

生活痕迹，给人丝丝隐逸的伤感悸动的情 绪。此种无意识的本体内在反射画作，在

一定意义上成为了他们对时代唯一的武器。 「迷‧途」试图以这股边缘力量，从中国

涂鸦这次艺术文化异域出发，向既定的权力关系发出控诉。 


Acid Wonder 

Born in a collapse of the era, live a rational skepticism has the intense complaint

to the society to get over an emotion with difficulty, graffiti in public places such

a creative mode of self-expression since birth then like a fish in water erupts in

the world. Postmodernism 80 after the two experimental graffiti creator YYY and

NAN are good at using insane duplicate traditional the abstract graffiti technique

annotation to translate it to be in sole possession. Their artistic concept has broken

the conventional thought frame, a synthesis of the field of contemporary art forms

of different types, different from the general from the concept to the traditional form

of self-existence of graffiti only the expression of the tendency of the performance of

some creative ways to diversify, as well as innovative thinking system, discover and

explore deeper the value of graffiti art. 

The work by the soft changeable extensible line constitution, by the painting characteristic, 
demonstrated bold free and not the picture tensity which restrains, simultaneously intense 
psychological suggestion shallow Tibet in canvas's behind, draws implicitly is drifting about the 
nihility life trace, the faint trace hidden leisurely palpitates moved for the human the mood. This 
kind of unconsciousness's main body intrinsic reflection painting has become them in a sense to 
the time only weapon. “The wrong path” attempts by this edge strength, embarks from the 
Chinese doodle this art culture foreign land, to the authority relations which decides send out the 
complaint. 

“Acid Wonder“ trying to force the edge of this, from the Chinese graffiti art and culture of this 
exotic starting to established power relations complaints issued. 

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